Star Wars for Colored Folks

Finally, a blog for Star Wars fans of a darker hue. Created by none other than the Quilan Vos clone Billie Wheelz and Alef Ulo aka Brother Omi fka Dan Tres OMi. It will cover everything from the movies, Expanded Universe and Dark Horse comic books. Only true fans need apply. This blog has not been sanctioned by George Lucas or Lucas Films. It is NOT an official Star Wars blog.

Sunday, January 11, 2009

Clones and More Clones (again...)




While listening to the Voice of the Republic podcast, an old debate has returned. During Episode III, Emperor Palpatine calls on Order 66 and the clones murder every Jedi they can get their hands on with no qualms or regrets. We all assume that in the end, the clones were flesh droids. However shortly after, Lucas Arts releases “Dark Lord: The Rise of Darth Vader” in which a few clone commandos refuse to kill Jedi Master Roan Shryne. The question is whether Order 66 was a program implanted into the clones or not.

We assumed that it was a program that was conditioned and that the clone commandos in Luceno's post Episode III book were clones that somehow overcame their programming. Enter Karen Traviss' “Order 66,” and the debate is once again on. In “Order 66,” the clone commandos, Null Arcs, and the other clones that Kal Skirata picks up do not obey Order 66. Even Captain Maze hesitates to kill Jedi Master Arligan Zey and even offers to let him escape. We also learn that the clones were conditioned to memorize 150 contingency plans that included other orders such as arresting the entire Senate in case they decided to wrest power from the Supreme Chancellor. So it's a mix up, right?

In “Order 66,” we learn that Commander Cody thought the world of Obi Wan Kenobi. We see this affection in the Clone Wars new series on Cartoon Network and in the early part of Episode III. Ironically, the clones under Kal Skirata have no love for the Jedi. This seems to stem from Mandolorian culture. Yet they refuse to partake in the killing of the Jedi. Yet we realize that several clones dislike Kenobi and ridicule Commander Cody's affection for Kenobi. Yet in Episode III, Cody not only unflinchingly gives the order to kill Kenobi, he refers to Palpatine as “My Lord.”

We also realize in “Order 66,” that most clones had no love for Jedi. Here are some of the reasons discussed in Traviss' latest book:

a. No one has questioned how the Clone army came about. Some Jedi have asked and other Jedi have left the Jedi Order. Yet no one has specifically debated the Senate, Palpatine, or the Jedi Council on this.

b. In several books and even on the tv show, Clones have asked their Jedi caretakers what is going to happen to them after the war. I have yet to see a Jedi answer that question. Some Jedi have discussed this amongst themselves but nothing has come of it.

c.The Jedi Council hasn't said a peep about this.

d.Some Jedi, such as Quinlan Vos, have expressed their disdain for the clones. In “Order 66,” they even name names.

What do you think?

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Tuesday, December 23, 2008

My take on the Latest News from the Avatar Movie



If you have been sleeping under a rock, you might have missed the fact that M. Night Shyamalan will be directing the live action movie adaptation of Nickelodeon's Avatar: the Last Air Bender. In the Omi household, we are avid watchers of the TV show. The final season really met our expectations. It was educational as well as action packed. Although the characters possessed European features, the characters were undoubtedly Asian and Inuit.

The blogosphere and on line forums lit up last week when news hit the scene that Shyamalan was going to get some white folks to play the main character. It would be too shameful to list the actors he suggested on using. Let's just say it seems as if Shyamalan is trying to cater to the Hannah Montana crowd (never would have thought that I would say Hannah Montana and sci fi in the same entry).

Of course, this bothers me completely. Folks will say, “there are bigger things to worry about like the economy.” I agree but this is ONE of the reasons why we are here. Let me 'splain something.

All sectors of this economy are doing bad. However, it didn't get bad overnight. Whether it was Wall Street, the American automotive industry, the real estate industry, or even Hollywood, a good part of the problem is the piss poor decisions and lack of vision on the part of the executives that run these sectors. Hollywood has done all kinds of things to sell tickets at the Box Office. One sure shot way of making big is to use the latest and most popular actors and actresses to be leads.

It is usually the only way that an unconventional script can be given the green light. When Ali was made, they used Will Smith who at the time was still working on his chops. The movie was wack on all counts, but it made the Box Office happy. Yet Hollywood has banked on some flops. Every now and then there is a fluke in the system and a movie like Fahrenheit 9/11 or Juno will come out and break all kinds of records. A franchise like the Batman Begins which has a cult following and then blossoms into a blockbuster like The Dark Knight comes through. So you have a quality film that sells a lot of tickets. Hollywood however cannot be counted on the next big thing or appreciate creativity. Movies like the ones mentioned above are a mathematical anomaly. Hollywood has always tried to do either of two things: spend huge loads of money to make money or try to make a hit by green lighting something new without really promoting it (gee, sounds like the American automotive industry and the record industry.. go figure!).

Many will say that when Hollywood attempts to deliver something new and creative to audiences, the people just don't come. In a way it makes sense. Most of us are short sighted. Most of us would rather see cars being blown up and all kinds of guns being used to blast people into oblivion than watch a movie that really questions the status quo (again, a few movies do stand out like “V for Vendetta” but again, that is a mathematical anomaly). Most of us won't pay a cent to see something of substance. It's kind of like the American auto industry. Sure we can place all the blame on the guys making the decisions but when someone called an SUV a gas guzzler or something that was bad for th environment, they were called unpatriotic. When one drove around, every other car was an SUV. Instead of purchasing a smaller, economical and more environment friendly car, people acted like sheep and tried to keep up with the Joneses knowing that it was not a sound decision.

Let's be real, something like the Avatar really can't sell to a huge audience. I enjoyed watching the TV show because of it's weaving of Eastern Philosophy to a modern day fairy tale. The characters were simple, everyday people who came across complex problems. My children got the entire thing and actually understood Aang's (the Avatar) dilemma. When faced with fighting the greatest enemy mankind ever encountered, Aang refused to go against his upbringing to take someone's life. Yet many felt that as the Avatar, he needed to be unselfish and commit murder.

In a sense, most teenagers have to make decisions like that. Of course, they may not be as dire as that faced by Aang but it sure did feel like that. Most people don't to watch a character with this kind of dilemma. They want the kung fu action and the special effects. That's a hard thing to convey in a two hour movie. I dig Shyamalan. I think he is ahead of his time. Sure he has made some bad career moves and I am sure he has found it difficult to make a movie as successful as his first one. I wouldn't call this decision a bad career move but a really dumb idea.

I would expect this from say, Steven Spielberg or any other white director or writer. I didn't expect to see that from Shyamalan. I have seen some argue that it is the message that matters not who is delivering the message. Yet as a watcher of the Avatar, I don't think you can convey that message that this series is trying to make by changing the face of the characters. The basic gist of the movie is that we are the sole controllers of our destiny. People and events may influence and challenge us but in the end, we choose our own destiny. We must embrace it or deny it. Many cultures tell this story in their own way. Yet the story of the Avatar, which is rooted in Buddhism and Inuit culture, can only be told by those people. Sure, a Brazilian cat directed it and an American wrote it but the choreography and the concept was based on Kung Fu, Buddhism, and Inuit culture and theology. They cannot be separated.

I understand that ultimately, the movie will be nothing like the cartoon series. How many movie adaptations follow the original formula? Many in Hollywood will say that using the actors slated to play the main characters will help make it a success and the message will get out there. That the only way something of quality such as the Avatar can only make it if it is packaged properly.

I have to ask, but packaged for whom? It's a message that is conveyed on THEIR terms. So are you saying that the Inuits or Buddhists have nothing to really say? That the message has to come from someone white? My children are not stupid. They know that the Avatar is a fairy tale but they know it is rooted in Asian and Inuit culture. They can tell by the characters and the settings. You can show them a photo of an Inuit hunter and quickly identify it. They can quickly point out if someone is practicing Wing Chun. They will undoubtedly notice something different in the way the movie is put on the silver screen.

What do you think?

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Thursday, November 06, 2008

Gotta Love Youtube

Some treats



(I know most of the songs come from Indiana Jones and Encounters of the Third Kind)

How Star Wars EP IV should have ended:



Star Wars Jedi Church:



(not that funny, but i wanted three vids, bear with a brother)

Sunday, October 19, 2008

The Success of Jacen Solo: How does a Sith Lord do it again?



Every Star Wars EU fan knows who Jacen Solo is. The grandson of the Darth Vader who eventually becomes a sith lord and attempts to take over the galaxy. One would assume that thousands of years into the future, people wouldn't fall for a sith lord to be in charge again especially after Emperor Palpatine and Darth Vader ruled the galaxy for over 18 years. Yet it almost happened.

We must point out that art is a reflection of the culture from which it springs. No writer lives on a deserted island. No writer can escape what is going on. In an age where we claim to be the most sophisticated and most technologically advanced that ever walked the earth, there are still dictators. Yet why was Jacen Solo successful? Why wasn't it until after he reached the height of his power, did his followers being to question their complicity in his reign?

The best example I can give is that of Robert Mugabe of Zimbabwe. Of course, many of us are idiots when it comes to history. Not only are we ignorant to the history of our nation and others, we still assume that most people that made the news are new comers as if their success happened overnight. Mugabe was a political prisoner who did ten years for his work as an activist. Mugabe was known for taken a stance against tribalism by accepting Pan Africanism as his mantra. Back then, this was something very deadly for most Africans (see Kwame Nkrumah and Patrice Lumumba). Back in the 60s and 70s, Mugabe was admired for taking risks and committing himself fully to the revolution. When the British decided to give Zimbabwe their independence, leaders like Mugabe were hailed as heroes.

Ever since then leaders who survived the 60s and 70s were considered mentors for the upcoming generations. Individuals such as Thabo Mbeki, members of the ANC (African National Congress in South Africa), and other organizations throughout the region took notes directly from Mugabe. In a sense, Mugabe helped to launch the careers of other African leaders. When the United Nations asked African leaders to condemn Mugabe publicly many refused because of that. Many clinged to the hope that their mentor and friend would come to his senses and relinquish power.

Jacen Solo did the same thing. He went out in the front line with his troops. He put certain men and women in power. He even helped the powerful such as Admiral Nianthal. Yet when it was time to denounce him, many of his supporters could not. It makes sense. I recall reading how it was difficult for some people to help depose the Last Emperor of Ethiopia, Haile Selassie I. Selassie appointed people to so many posts that it was hard for anyone to give up any information on him. Those who overthrew his monarchy were young people who were not part of the upper classes.

I am sure that the writers of the Jacen Solo/Darth Caedus story arc may not have had the intention of teaching that particular lesson, but I am sure they were influenced by what they saw around them. Many will say, “well you are reading too deeply into the characters.” I have learned that when it comes to art, many things are deliberate (big up to Dr. bell hooks and Dr. Frances Cress Welsing).

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Sunday, September 21, 2008

Star Wars: Clone Wars (novelization)



The Clone Wars, Vol. 1 (Star Wars)

by Karen Traviss

Book Review by Dan Tres Omi

Omi's Note: Again, I have yet to see the movie. I plan on watching it before the October 3rd release of the animated series on Cartoon Network. I do have a few points to discuss on this blog about the Clone Wars and GL's current maneuvers. I know I am so behind on what is going on. Please bear with me. Again, thanks for the support and the emails.

When it comes to the Clones of the Grand Army of the Republic (GAR) or the Mandalorians, Karen Traviss is the go to person. Her successful Clone Commando series is a testament to that. Not to mention her contribution to the Legacy of the Jedi Jacen Solo/Darth Caedus story arc. Unfortunately, Traviss gets caught up in the Star Wars franchise scramble for more money.

One would assume that George Lucas, or GL as we affectionately call him here, has made enough money to really sit back and let the SW canon evolve. Most of us, even non Star Wars fans, know that GL is loaded and there is no need for him to make bad decisions. Of course, many Expanded Universe (EU) fans wanted the Clone Wars plot to continue since the movies only cover a very small portion of the actual Clone Wars and the books only make reference to them. So it was natural that supply and demand would bring new stories out. Yet introducing new characters that have never been mentioned before causes more problems.

Of course, Traviss is not to blame in any of this. I find that when it comes to the Clones, Traviss brings even much more of a perspective from a cloned human. Although much of it deals with their do or die dedication to the Republic and the Jedi Order. Yet through Captain Rex, his non commissioned officers (NCOs), and Commander Cody (who plays a prominent role in Ep III), we see a more personal interaction between the clones. Unfortunately, the story takes away too much from the clones. The idea of the Jedi helping Jabba the Hutt is far fetched but when the story continues, it makes sense.

Remember, these stories are supposed to get into how Anakin continues to slide deeper and deeper into the dark side. So helping a Hutt who at one time owned him and his mother helped to bring out some deep seated anger. Helping Jabba also made Anakin asks more questions about the Jedi's role in the galaxy. Why aren't the Jedi helping the regular citizen of the Republic instead of some questionable characters such as Jabba the Hutt? Why didn't the Jedi free all of the slaves that Anakin knew growing up on Tattoine? Traviss does a good job of exploring that.

Making Anakin a Jedi Knight keeps Obi Wan Kenobi out of the picture. This allows Anakin an opportunity to really explore his feelings about the Force, the Jedi, and his relationships with Padme Amidala. Although I have issues with Ahsoka, Anakin's padawan, I can see why she was introduced into the story. Having an apprentice keeps Anakin in check. However, there could have been other ways to do that.

Traviss does a great job but unfortunately, she will catch all the flak from the EU fans due to the input of GL and Dave Filoni. . The book is a quick read since it covers two short battles. Members of the 501st will also enjoy this book since it adds two more battles under the 501st flag.

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Tuesday, August 26, 2008

Invincible (Star Wars: Legacy of the Force, Book 9)




Invincible (Star Wars: Legacy of the Force, Book 9)

By Troy Denning
Book Review by Dan Tres Omi

When George Lucas allowed several authors to pen the numerous books for the Yuuzhan Vong war (the New Jedi Order – NJO), there were so many problems. While there was a strict adherence to continuity, the flow would sometimes stifle or pick up depending on who was writing. Sometimes it worked and sometimes it didn't. With so many books, several plots and subplots were neatly finished. One would have never expected Jacen Solo to turn out the way he did. If anything, readers were left either hating or somewhat tolerating Jacen Solo. What made the NJO series special was that it allowed the reader to really explore the nuances of the Force.

In the Legacy of the Force (LOTF) series, there were only nine books with three authors. Like the NJO, the LOTF would ebb and flow. Some books were right on while others were just plain bad. Troy Denning had his work cut out for him. I expected the book to be as big as “The Unifying Force” by James Luceno. Yet it was only a scant 299 pages and the book moves very quickly.

I was glad that Denning places the reader in the Mandalorian defense of the Verpine mining asteroid of Nickel One in the Roche system. The Verpine and the Mandalorians have a treaty that began in the early part of the LOTF series. Boba Fett wanted to honor it even if it meant fighting against the Imperial Remnant. Fett was definitely out of his league and expected a massacre. It is good to see Fett in a situation that calls upon all of his resources. The Mandalorians get their beskar'gam handed back to them. I assumed that Denning would have left them out since that is Karen Traviss' realm.

Jaina Solo is in the front with Fett and his granddaughter Mirta Gev. She splits with the Mandalorians and meets up with the Jedi Council who agree that someone should be sent to kill Jacen Solo/Darth Caedus. Everyone agrees that Jaina should be the one to do it. It takes two tries but Jaina is finally successful. Both battles are worth the price of admission. Darth Caedus uses all of his Force ability and even pulls out the Shatterpoint technique last used by Master Mace Windu. The reader will also see the Moffs in action once again.

The drawback that takes so much away from the book is the ending. The galaxy is pretty much in shambles. The Bothans have sided with the Corellians. Admiral Niathal, who defected with bits of the Fourth Fleet, joins up with the Jedi, the Wookies, and the Hapes Consortium. The Mandalorians are for themselves and the Verpine. The Imperial Remnant is maintaining an unsteady alliance with Darth Caedus. Politically there is no one shot solution that would keep everyone happy. While killing Darth Caedus is a good idea, what to do afterward is never considered. Denning tries in the last twenty pages. To be honest, this would have been done more thoroughly in a separate series. Unfortunately, the Sith that the late Alema Rar found are not even mentioned.

We do see how the galaxy is set up to be the way it is in Cade Skywalker's time. There is a new found hostility towards the Jedi since many people are beginning to place blame on the Jedi Order. The galaxy is still in an uneasy alliance. I think that every reader knew that Darth Caedus was going to be killed. It's the way of the Sith. No matter how powerful a Sith Lord becomes, someone comes along and takes them out. One would think that the Sith would figure that out by now and try something entirely new.

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Sunday, August 24, 2008

Been a Long Time...




If you haven't heard, the Omi's purchased their first home so we have been busy moving in and working on projects. I am behind on so much. There is so much to discuss. Before we get into the Clone Wars movie, we have so much ground to cover.

As usual we are behind anyway, right folks?

If you know how the Brother Omi rolls, you know that we try to avoid what everyone else is talking about. So I want to give everyone a chance to get out there and check out the movie first and then head back here. I have yet to watch it. So you must give me a chance...

I do have to big up an event that's coming up.

"BLACK AGE XI"

Program and scheule of events.
The opening reception for this group show which is entitled,

"The Blacker the Hero"
will be on Oct. 10th 2008,
5:00pm to 8:00pm, free admission at the
African American Cultural Center of the University of Illinois at Chicago.
830 South Halsted Street
Chicago IL 60607
312-996-9540

The exhibition will feature selected images, posters, and illustrations
from a variety of Black Age or indie characters created by a
variety of artists. The lecture-discussion will feature a moderator, an agenda,
with invited professional Black Age/indie publishers.

OCTOBER 11th 2008

We will be vending books at the
South Side YMCA
at 6330 South Stony Island in the Alcove area
10am until 4pm. Free Admission.
Press Conference and panel TBA

OCTOBER 12th 2008
Ari-Ware Store .
Time: 2pm until 5pm
266 Lake Street in Oak Park IL 708-524-8398,
will host Turtel Onli , "The Father of The Black Age"
Theme: The history and value of the Black Age of Comics. Plus additional guests. Signings, vendings, panel, & learning opportunities.

AZIZI Bookstore
at 134 Lincoln Mall Matteson Il
708-283-9850 Time and creators TBA

Interested fans and participants should contact Onli Studios at onli@sbcglobal.net .
Participants will be taken on a first come first served basis. We have limited places to complete.

"BLACK AGE XI" is part of Chicago Artists Month, the thirteenth annual celebration of Chicago’s vibrant visual art community organized by the Chicago Department of Cultural Affairs and is made possible through the Presenting Sponsorship of 3Arts and the Lead Sponsorship of the Sara Lee Foundation. For more information, call 312/744-6630 or visit http://www.chicagoartistsmonth.org/ .


See you then?

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