By Salvador "Chamuco" Cortez
Published by Pochino Press
As a historian, my mind is always boggled at how modern artists create images that are reiterations of what their ancestors did several hundred years before. It is as if the blueprint for modern art was encoded in one's DNA. Upon perusing he work found in “From East Oakland with Love,” I had to educate myself on linocuts. It is a sort of woodcut but linoleum is used for the medium. As a b-boy, I have an affinity for linoleum, so Chamuco Cortez' work spoke to me in different ways. So Cortez's work is generational and brings so much to the forefront.
I didn't know what to expect when this piece came to my desk. I think Pochino Press did it a dope job putting it out as a book. I will admit that I stray away from art books if they are not in a coffee table book format. However, Pochino Press put together a wonderful book and they really allowed Cortez to flesh out how he gets down. The poems and essays coupled with the art pieces give the reader much to digest. It allows Cortez to be his full artistic self and leaves no room for assumptions.
There is a linocut piece entitled “Confession a Feeling” where two cholos are kissing one another. It conveys so much in just one piece. This is followed by “To Serve and Protect” another linocut with a pig posing as an Oakland Police Officer. This is reminiscent of what Huey P. Newton expressed back in the late sixties and early seventies.
Probably the best part of “From East Oakland with Love,” is how Cortez pays homage to Aztec culture. He introduces the reader to many of the deities of the Aztecs. He then connects them to cholo culture in California. He then connects it to the zoot suit culture of the 1950s. In doing so, Cortez takes the reader through a virtual time machine via linocuts. In one scene, he gives the reader a linocut of Kuauhtemoktzin and on the next page he provides one of El Pachuco. Cortez provides the parallels to each story and makes that important connection.
My favorite would have to be “Still Warriors No Matter How” where he has a Brown Beret reflecting off of an Aztec deity. This personifies Brown Power and Pride. The reader can flip the page and enjoy the detail and notice the similarities between both characters. While Cortez does not give insight as to who this Aztec deity could be, it provides that mystery that keeps the reader intrigued.
I enjoyed how Cortez uses poetry from other writers to add on to his cipher. This approach to art and activism is a dope mixture. Pochino Press did a great job in this format. Hopefully we can see more art in this medium that puts together art and activism. It's refreshing to find a press that still puts out 'zines.
From East Oakland with Love and be purchased here at the Pochino Press website.