Sunday, January 02, 2011

Some of the Best of 2010

Yes, I am late with this. My apologies. I got a little bit carried away with the festivities of last week of December. I will admit that 2010 was a great year for comics. There has been so much great writing for the major publishers as well as the independent ones. The competition is fierce as writers start to go the indie route. Also even the movie houses are getting in the game. Movie adaptations of comic books are getting better. It was quite a few tough picks out there. I normally stay away from the major comic companies for these but this year, Marvel hit it out the park. Yet here it is, enjoy:





Best Comic Book mini series – “Thanos Imperative” - Dan Abbet and Andy Lanning did a great job breathing life into many 70's Marvel Characters. The Guardians of the Galaxy is a good example of that. It is a group made up of many characters that were made in the 70s. Here is a good example of great writing. Abbet and Lanning did a great job bringing these characters back to the fold. While Thanos is a great villains, few writers do him justice. The artwork by Miguel Sepulveda is also great. I love the fact that Marvel chose not to make this a huge crossover event. The reader did not have to go back to the lab and read back issues of those 70's issues. The storyline included the story of Captain Mar'Vell. It was stellar with huge spaceship battles and super hero beatdowns. I am so glad that the story of the players will continue.




Best Story Arc
– Image Comic's Invincible: The Viltrumite War – I always loved Robert Kirkman's and Cory Walker's Invincible. Its a great spin on the Superman/Spiderman archetype. There is even a great father/son plot line with Invincible and his father Omni Man. Invincible does remind me of the early Spiderman stories where Peter Parker consistently doubted himself at every turn and fought to keep his life in order. Invincible is in the same situation but he has powers that rival Superman. Unfortunately, his father hails from a race of beings who intend on conquering the universe. Finally, we find Invincible, Omni Man, and several allies gearing up to take the fight to the Viltrumites, the race of beings Invincible is a descendant of. Even in the face of battle, Invincible questions his role as a superhero and his relationship with his father. The space battles are great and the artwork renders an epic assault throughout the universe but the writing really keeps me captivated. It is truly one of the best comic books out now.

Best Issue: Unlike the previous categories, this one was easy. Nemesis issue #1 is awesome and was probably the best issue of 2010. Mark Millar does it again. He also teams with Steve McNivens. Previously, they did Old Man Logan for Marvel which in my opinion was the best story arc of 2009. If you have been reading this blog for the past year, you know how I felt about it. There are rumors that it will be another movie adaptation. Let's see what happens. Millar will finish the series however, so stay tuned for that.


Best Movie Adaptation of Comic book:
“Kick Ass” Although Hollywood screwed up Millar's “Wanted” in so many ways, they really knocked it out of the ball park with “Kick Ass.” I know folks who don't even read comics pick up the book after watching the movie. There were many comic book adaptations on the silver screen, but “Kick Ass” set the standard. The writers for the next Dark Knight installment have their work cut out for themselves.

You know 2011 is going to be all the way live. You can count us to be there. We will have many more comic books of color on the independent tip reviewed here. Stay tuned.

Happy New Year!

Monday, December 20, 2010

Azteca




Azteca

written by Enrica Jang
artwork by Jhazmine Ruiz
(Red Stylo Media)

Omi's Note:
Big up to Bill Thade, who along with his wonderful wife, run Fearless Readers comic book shop in Dayton, Ohio for hipping me to Azteca.

I love indie comic books. They can take the risks that bigger publishing houses can't. They also can fill a niche that is usually ignored by the majors. It's a great reason to find a comic genre that fits your sensibilities. If you like steam punk, you can find a gazillion indie comics on or off line. If you like zombie action, you don't even have to turn a corner. Ernrica Jang of Red Stylo Media probably wanted the same thing.

Azteca takes place in Paradiso, Mexico, a small tourist town filled with drug cartels and violent gangs. Although tourism literally saves the small town economically, crime is rampant and corruption remains unchecked. Suddenly, someone is decapitating and mutilating the bodies of gang members and members of drug cartels. While the natives of Paradiso are willing to turn a blind eye to this vigilante, the cops and politicians are not.

The first issue is split into three parts and allows the story to flow smoothly. It gives the reader a chance to digest the scenes and get an understanding of the major characters. The vigilante is never shown without his hooded sweater. The reader is allowed to catch a glimpse of his tattoo. So Jang provides enough mystery to make the reader want more.

The artwork is fluid and heavy on the inks. Those who follow Aztecan mythology will find the artwork familiar. It adds tremendous authenticity to the story. It is truly one of the best art I have seen in an independent comic since Dread Society X.

The project does remind me of Jason Aaron's “Scalped” on DC's Vertigo. I mean that as compliment. I hope that the crew at Red Stylo Media meet with much success and I look forward to reading issue 100 of Azteca (if they plan on making that many issues).

Wednesday, November 03, 2010

The New Man Without Fear


if you haven't heard it yet check aqui


wild huh?
the new man without fear will be none other than T'Challa himself...
CHeah!

Monday, November 01, 2010

Black Dynamite












No, I haven't picked it up, but I plan to. So no review. Sorry folks.

but here it is, aqui.

Thursday, October 28, 2010

more updates

Sorry I haven't been on my square. We are working on a few projects, so bear with us.. Here are some more treats:

1. Avengers: Earth's Mightiest Heroes Mini Episodes... they pretty much set up the background for the series. They are definitely worth checking out. Check out Nick Fury.
You will love that.

2. Check out Black Science Fiction Society's website. it's choice. Some really dope stuff happening there.

Wednesday, October 13, 2010

Incognegro




Written by Mat Johnson
Art by Warren Pleece

Book Review by Dan Tres Omi

It is a nerd's sweet revenge when graphic novels and comic books are considered literature. It is about time that these genres get their recognition. In the last few years, we have seen several comic books (I.e., Y: The Last Man ,
Ex Machina ) and graphic novels garner critical acclaim. Incognegro: A Graphic Mystery is another one of those novels that are definitely top choice. It is published by DC's own Vertigo line. Although I have never been a huge fan of DC comics, their Vertigo line has released several high quality graphic novels such as Sentences: the Life of Grimm and DMZ.

Although the story in Incognegro is fictional, it is based on the true accounts of African American news reporters who traveled to the deep south in the early 20th century to cover lynchings. This African Americans could pass for European Americans and infiltrated many lynchings. This was called “going incognegro.”

Zane Pinchback, an incognegro, decides to pull one more stunt even after almost being caught playing a white man during a lynching in Mississippi. This time, the stakes are higher as he learns that his brother is framed for the murder of a white woman. He takes his friend Carl, another African American who can pass for white but who is an actor, along with him. To make matters worse, Carl heads into Tupelo, Mississippi and poses as an Englishman and has the entire town infatuated with his British airs. Pinchback also learns that the woman his brother is accused of killing is actually not dead.

What the reader will appreciate about this graphic novel is that it is drawn in black and white. At times, even the reader will not be able to tell who Pinchback or Carl is when he is drawn amongst white people. This adds much more mystery to the story and also makes the reader see how these reporters were able to get the inside scoop.

Mat Johnson's writing is top notch. The story twists and turns almost at each panel. The ending will shock everyone. The final panel caused this reader to laugh out loud while on a bank line. Non comic book readers will get a big kick out of Incognegro. Warren Pleece's work shines and both of them work well together.

Tuesday, October 12, 2010

Nemesis Issue 3



Written by Mark Millar
Art by Steve McNiven

Review by Dan Tres OMi

I almost gave up on this series until a certain talkative comic book retailer at a local comic convention explained that this issue was dropping in a matter of days. When I arrived at my local comic book store (big up Fearless Readers!), I was able to grab the last issue on the stand. After reading it from cover to cover three times in a row (something I rarely do), I can understand why.

Millar continues to shock and awe. In Issue #2, Nemesis is captured by Blake Morrow, DC's super cop. While everyone is happy that Nemesis is captured after killing thousands of people in Washington, DC, no one knows where the president is. Unbeknownst to Morrow, being captured is part of the plan.

Nemesis does a daring prison escape. He even provides super fast armored cars for every prisoner he sets free. The chase is on. There are even more twists and turns as the story flows. Millar does it once again. What Nemesis does to Morrow is unprecedented. Watch how he turns the table on Morrow and gets him with a double whammy.

Again, McNiven's artwork really sets the tone. The splash pages and wide panels tell so much without any words. McNiven's DC is both hip and gritty. I enjoy the fact that most of Nemesis' moves are done in the daytime. It demonstrates the power that Nemesis wields. I can't wait until the next issue. Maybe there we will find out what happened to the president.

Sunday, October 10, 2010

Noticias

Here are some treats (big up to Dwayne McDuffie for hipping us to this):


1. "Shaft or Sidney Poiter" -- I am so looking forward to this.



2. Daredevil to become Black Panther: The Man Without Fear


Big up to Comic Book Resources for this bit of news. While many have issues with what Marvel has done to Wakanda, even more people are upset about the direction Marvel is taking with T'Challa. We will see if the stories will be any good. It does remind me of the time T'Challa lived in Harlem and worked as a school teacher. Only time will tell. It can either flop or sell out. We shall see. Of course, we will have the latest reviews on here.

3. Please support the folks at Black Comix . They have a new book out that we will soon cop and review for the folks out here. The blog is awesome and they stay up on so much. Please support our writers, pencilers, and inkers!

Sunday, September 19, 2010

Cincinnati Comic expo recap Part One


First up, Big up to everyone who came out the 1st Annual Cincinnati Comic Expo at Xavier University. It was a great turnout. We had a blast. As usual, folks treated my children like VIPs and they got a gang of free stuff. I want to point out a few heads we should make a note of. I know we rarely do, but we want to highlight some artists/writers of color. So here are a few people you should check out.

The weekend before at the 2nd Annual Champion City Comic Con in Springfield, Ohio, we ran into Victor Dandridge's family. They have alot going and have some dope plans in the future. Matter of fact, this Saturday, Sept. 25th in columbus, Ohio, they will be putting together a nice kick ball game with some vendors. Check him out on his blog, and try to come through. We will be there, capoeiristas and all. He is a family man and his focus is bringing comics and literacy to the children. So he gets mad support from us.

We also ran into "The Renegade Creator" Stanley Clark and his wife. They were great. They emphasized the importance of family and passing down our stories to our children. Their comics are great. Stay tuned for a review of one of their graphic novels.

Finally, we met Chad taylor, writer and penciler for the 5ive Footers... the brother is out of cincinnati. Check him out here. Issue #2 of his series will be released at the end of the month of September 2010.

Please support these artists and pass it along.

Sunday, September 12, 2010

Taskmaster #1




Written by Fred Van Lente
Art by Jefte Palo

Comic Book Review by Dan Tres Omi

I have always felt that Taskmaster was an underutilized villain. I was glad that he was hired by Tony Stark to train new super heroes under the Initiative program. He an integral part of that story and actually began to see the usefulness of working for the right side. When Norman Osborn took over H.A.M.M.E.R. And the Avengers, Taskmaster stayed on the roster. He relunctantly followed Osborn to the siege of Asgard. When he saw that Osborn was losing, Taskmaster took off. I actually searched for the Siege crossover issues in the Thunderbolts looking for more information on the Taskmasters fate. Not much was told. I was at a loss until Joey Stacks gave me the good news. The Taskmaster was getting his own limited series.

We find the Taskmaster in a diner trying to remember a particularly important yet tiny detail in his past not knowing that someone has put a $1 billion dollar bounty on his head. Rumor has it that the Taskmaster has turned States evidence and is also helping Steve Rogers maintain law and order. So everyone from A.I.M. The cyberninjas are gunning for him.

With groups falling all over each other to get the Taskmaster and the Taskmaster skill at knocking heads, it leads to pages of fun. Jefte Palo's artwork works. He covers the chaos well as well as the flashbacks. The best part is when the Taskmaster fights, you can see whose style he uses by the frame ins of certain heroes and villains. Taskmaster has always been bounty hunter speak so Fred Van Lente doesn't have to do much dialogue. Most of it is funny. There are even disses about Deadpool.

The backdrop to the story is that Taskmaster is trying to find out who he is. Because of his power, he has bits and pieces of everyone else and honestly doesn't know who he is. Tracking down those who what him dead might help him solve that piece of the puzzle. I hope that this limited series does not spell the end for this Marvel character. Hopefully, we will see more of the Taskmaster.

Wednesday, September 08, 2010

Star Wars: Blood Ties #1



Written by Tom Taylor
Art by Chris Scalf

Review by Dan Tres OMi


When Jango Fett was introduced in Episode II, I was amped. I gobbled up all of the Dark Horse stories about the Fetts. There wasn't too many. I wanted to see more stories with Jango and Boba. The story was near and dear to my heart. People say my oldest son is a clone of me. I have to agree. We don't get to spend too much time together yet when we are, we think alike. So it does seem like we aren't really father and son but template and clone. Not to mention the fact that he loves everything Mandolarian. When I heard that Dark Horse was doing a series centered around Boba and Jango that spans decades, I had to cop it.

The artwork is superb. Chris Scalf brings that majestic oil painting style that makes the story come alive. Scalf works the splash pages well and does not overwhelm the reader. Taylor's Jango is on point. He is ruthless and takes no prisoners. Jango puts Boba in so many perils. He is the toughest and deadliest drill sergeant. He cuts Boba no slack.

I am glad that this will be a four issue series and with the same team, I am sure there will be surprises. It will add more depth to the Fett's relationship. I forgot to mention that the first scene shows Boba Fett being set up by one of his customers. So the back story takes place in the present. I look forward to seeing what happens.

My only gripe with the story is that issue one reveals Jango Fett's current job is tracking down someone who happens to be another one of his clones. Of course this takes place before the events on Geonosis. I was hoping it would not have to come to another clone tale.

Wednesday, September 01, 2010

Ex Machina Issue #50 (Last Issue)




Written by Brian K. Vaughn
Art by Brian Harris
Review by Dan Tres Omi

The first issue (which WildStorm Comics has republished for a $1 comic price!) pretty much points out that the series would have an end since it begins with Mitchell Hundred aka Ex Machina explaining how he ended his super hero career to become the mayor of New York City.

At this point, Hundred is not running for re-election. Due to his past as a super hero and his current policies as mayor, his popularity polls plummet. Yet Hundred was in it to do what was best for the the people of NYC.

Ex Machina's powers, if you didn't know, didn't provide him with super strength, or speed, or even telepathy. Ex Machina can talk to machines. He couldn't even fight that well. He lost more than he won. So unlike the usual super heroes, the readers come to find that Hundred wasn't really cut out for it. However, he finds that he can do much more as a politician than as a superhero.

What I always liked about the story was how it centered around Hundred's failure to stop the second plane to hit the tower. In this alternate history, only one tower fell. It was this event that convinced Hundred to give up his life as a super hero and become a politician. It has eaten him up since.
Vaughn never exploits the tragedy. Instead, he uses the decisions, friendships, and enemies Hundred has made in his past as a super hero to make the story flow well.

While many consider Ex Machina a super hero comic, it comes off as a non super hero one. Hundred relies on wits and the power he has a Mayor of a metropolitan city to fend off against his enemies. He squares off against unions, corrupt politicians, estranged citizens, and yes an arch nemesis or two. Even some members of his administration had sinister motives. That is where Brian Vaughn brings the reality to the story. Hundred could have easily used his powers on several occasions but he doesn't. Ironically, he is accused of rigging the ballots to win his office.

What makes the story even better is the fact that it takes place between 2002 until 2005. So the story takes place in the past versus the present or the future. It allows the writer to avoid writing about current events. Vaughn has room to breathe. Brian Harris' art is New York. It is metropolitan for a lack of a better term (help me out here). Harris captures the feeling and the rudeness. Together it works.

While this is the last issue, and yes it is unlike me not to do spoilers, Vaughn ends it well. Hundred's vice mayor fills in his spot. The traitors are revealed to Hundred. Kremlin goes off the rocker. Bradbury, the very loyal assistant and body guard, takes the fall. The ending will surprise you and make you laugh. I think the last issue is worth the price of admission. And like Lauryn Hill once sang, all good things come to an end.

Tuesday, August 24, 2010

Nemesis Issues 1 & 2



Written by Mark Millar
Art by Steve McNiven
review by Dan Tres Omi

Some of you might be familiar with Mark Millar and Steve McNiven's work on Old Man Logan and Marvel's Civil War. Together these two bring classic material to the masses. You have seen Millar's work come to life in the already cult classic “Kick Ass.” Just when you thought Millar couldn't top his work, Millar along with McNiven give us Nemesis.

Nemesis is one of the illest supervillains since the Preacher's The Saint of Killers. He is filthy rich, ruthless, and calculating as they come. He doesn't bore his opponents with ill tales about his past or how he plans on destroying the world. If you are on his hit list, consider it a done deal. Nemesis travels the world killing off all of the top cops in a flamboyant fashion. As a matter of fact, he sends his enemies a postcard with the exact date of their assassination and Nemesis is never late.

When Nemesis finally touches down in the United States, he raises the stakes by kidnapping the president after sending Blake Morrow, Washington DC's super cop, his dread postcard. It seems as if Nemesis has bitten off more than he can chew when Morrow thwarts his plans and captures him.

Unlike Millar's “Wanted,” where Millar slowly put the story of the villain together and then began to build everything up to the climax, Nemesis comes crashing down on the reader. It is not until Issue 2 where we get a glimpse of Nemesis' origin. Millar works this well into the story line. Although, there are more explosions and bullets then a hollywood blockbuster movie, McNiven's art doesn't go overboard with the panels. McNiven's style does justice to Millar's work. In Issue #2, Millar slows it down and this is where McNiven shines. You can see the flaws on the faces of his subjects.

Nemesis is published by the Marvel imprint Icon. Instead of putting out Issue #3, Icon has reprinted a variant cover for Issue One. This really bought much head scratching to the fans of Millar and McNiven. Hopefully, Icon will publish the upcoming issues soon. In the meantime, copping Issues #1 and #2 is a must.

Wednesday, August 18, 2010

DoomWar Issues 2 thru 6




Written by Jonathan Maberry
Penciled by Scott Eaton
Inks by Andy Lanning & Robert Campanella

Book Review by Dan Tres OMi

And the plot thickened. In Issue #2, the X-Men jump in to save Ororo. By Issue #3, the Desturi are defeated as Shuri kills off their leaders. Despite their efforts, Doom steals all of the Vibranium from Wakanda. One would ask, how? Well, the Panther God deems the good doctor worthy. While we may all think that Doom just wants to destroy the world, we find that this is not the case. Instead, Doom wants to make the world stronger to prevent it from collapsing due to conflicts between several nations. The Panther God as well as Doom, see him as the only one to pull it off. This part of the story alone makes for interesting debate.

Although Shuri and T'Challa regain control over Wakanda, they have no army but must wage a war against Doom and his Doombots. Doom is supported by none other than Walter Declun who was once CEO of Damage Control. Together they build huge armies of robots to safeguard the several deposits of vibranium throughout the world.

T'Challa enlists the Fantastic Four and later the War Machine to accompany the Dora Milaje to take out those Doombots. Doom, the ultimate chess master, outwits T'Challa everytime. That is when T'Challa realizes that the only way he can beat Doom is by unconventional means. He sends Deadpool to assassinate Doom. He also gets his tech geeks to hack into Declun's network and deplete Doom's funds. Then he creates a new mixture of Dark Alchemy and Quantum Physics called Shadow Physics (very interesting indeed).

By Issue #4, the reader will see so much happen very quickly. Issue #5 continues more of a build up. The long awaited issue #6 leaves much to be desired. Marvel should have added another issue since Maberry doesn't tie it all up. For example, the X Men are there and then they aren't. War Machine shows up and no explanation is given as to why. Shadow Physics, while it's the trump card, is only discussed in one issue. It sounds like I am nitpicking but many loose ends don't get resolved. In Issue #4, the artwork gets very sloppy. Very sloppy. One starts to wonder if Marvel changed the penciler and inker without telling us.

Overall, the story was very good. The resolution could have been better. We don't see Doom and T'Challa debate about the future of the world as foreseen by the Panther God. What I love the most is that this series ushers in a new age for Wakanda. Hopefully it is the beginning of a new golden age for the African nation. I also hope that Shuri remains the Black Panther and Marvel brings back Hudlin. This skinny Afro Latino kid can dream right?

Wednesday, August 11, 2010

The New Avengers: Luke Cage




Written by John Arcudi
Art by Pepe Larraz & Eric Canete
review by Dan Tres OMi

To be honest, I am really open with what Marvel has been doing with Luke Cage. Let's be honest, he was a fourth rate superhero based off of a stereotype (lawd, the yellow shirt and metal head band with black tights, wtf!). Making him a prominent member of The New Avengers was a dope idea. I really dug the Noir series done on Luke Cage. Cage was given greater roles to play in the Civil War and Dark Reign. If you haven't heard, Cage is now heading the New Avengers.

This three issue limited series finds Cage heading out to Philadelphia to help out a friend who has followed in his footsteps. He even encounters an old foe, Lionfang. While Cage has been spending his time fighting world class super villains and saving the earth from a Skrull invasion, he has neglected his roots. Although, his teammates urge him to stick around Cage heads to the city of Brotherly Love to help an old comrade.

Cage quickly realizes that he can easily just smash heads and beat up super powered bad guys all day. Yet as soon as he lives Philadelphia, his enemies would just come right back out. So he decides to use his brain over brawn. This makes for a great story as Cage demonstrates a great leadership ability to plan ahead. It works beautifully.

Larraz & Canete's artwork is superb. The devil is in the details. You will cringe during the painful parts and duck when Cage throws his opponents around. What I dig the most is the writing. As I have stated before, there was a time when I dislike Cage. From his costume to his speech, Marvel just bought a stereotype to life. You won't see Cage speaking in out dated slang.

Wednesday, August 04, 2010

Dark Avengers #16




Written by Brian Michael Bendis
Art by Mike Deodato

Marvel had a great run with the Dark Avengers. With Norman Osborn/Iron Patriot at the head of the official Avengers as well as the Shield like H.A.M.M.E.R., one found several psychopaths and former villains as heads of management. Things seem to work well until Osborn began to make more enemies and slowly fall back to his old ways. Not to mention the fact that several members of the Dark Avengers such as Bullseye (acting as Hawkeye) and Daken (acting as his father Wolverine) began to make trouble of their own.

During the Siege of Asgard, many of the founding members of the Avengers, the New Avengers, and their affiliates banded together with the Asgardians to defeat Osborn, the Dark Avengers, and H.A.M.M.E.R. While the Siege event crossed over into several issues, Dark Avengers #16 focuses on the end of this super-villains acting as heroes team.

Although the final issue of Dark Avengers is short and should have been longer. The end is sweet as Osborn gets what's coming to him. Some of the Dark Avengers escape but most are imprisoned. Deodato's artwork is crisp and it is great to see him continue on the Secret Avengers series.

What's interesting is to see Steve Rogers admitting that Osborn made some sensible decisions. It's one of the reasons I enjoyed the Dark Avengers run. Osborn, who despite his shortcomings, really tries to fight against his Green Goblin persona. Osborn also believes that what he is doing is right for the country. Osborn succeeds in containing national security threats and keeping certain super-villains in check. However, Osborn's paranoia is difficult to overcome.

Tuesday, May 25, 2010

Star Wars Clone Wars Gambit: Stealth




by Karen Miller

Book Review by Dan Tres OMi

George Lucas and his gang are really stretching the Clone War era of Star Wars. While the Clone War actually raged for a little over 3 years before Revenge of the Sith (ROTS) there are quite a few stories that need to be told about other Jedi Knights and Clone units throughout the galaxy outside of the Obi Wan Kenobi and Anakin Skywalker. However we are told that if the folks at Lucas Arts steer away from this story, no one would buy any books. I guess.

Miller's previously published Clone Wars: Wild Space left much to be desired. It helped explain why Kenobi and Senator Bail Organa seemed close in ROTS but that's about it. While the Clone War Gambit story arc will cover two books, the first installment starts off very slow.

At this point, the war is at a stalemate (more on that later) since the Separatists have figured out a way to disrupt short wave communications between Republic war ships. This has forced the Republic to just hold the ground in several sectors throughout the galaxy and refrain from any offensives. In the meantime, Senator Organa learns that something fishy is happening on the planet Kothlis, one of the many planets that fell during a major Separatist push but the Republic could not assist.

Kenobi and Skywalker are picked to infiltrate Kothlis as citizens and find out why the Separatists are doing on that planet. Of course, Kenobi and Skywalker are way out of their element acting as spies. While the writers could have used several other Jedi to embark on this mission (Quilan Vos would have been ideal) I can understand why Kenobi and Skywalker were chosen. In this instance, Skywalker who is used to swashbuckling his way through any problems, is forced to restrain himself.

While Kenobi has no problems keeping his emotions out of his decision making as a Jedi, Skywalker has always pushed his boundaries. It always made their relationship interesting. In this mission, Kenobi has no qualms leaving innocents to their doom. Skywalker, who was once a slave, refuses to do the same. Both Kenobi and Skywalker get into some major ethical arguments. When Bant'ena Fhernan, a scientist held captive by the vicious General Lok Durd, is forced to help the Separatist design a lethal bioweapon. Although she is forced by the threat of the assassination of her friends and family, Fhernan does not seem to have a dilemma. Kenobi sees her as complicit in the creation of this bioweapon while Skywalker sees her as an innocent victim.

Not only do the ethical debates help the story, this arc also helps to explain why Skywalker had no problems killing Jedi in ROTS. He saw the Jedi as betrayers to the people of the Republic and did not see them as family at all. It makes sense since several members of the Jedi Council did not see him as the Chosen One and treated him as a pariah. When it came to helping wealthy and corrupt politicians, the Jedi seem to eager to help but when it comes to helping the downtrodden, the Jedi always seem to choose the side against those less fortunate.

Overall, the average fan can overlook this story arc. Most fans have a gist of why Anakin turned to the dark side and his feelings towards the Jedi. The storyline is uninteresting so far. General Grievious has yet to make an actual appearance. General Durd is a minor and a character who won't be missed at all.

Sunday, May 16, 2010

Iron Man 2



Review by Dan Tres OMi

As a true comic book head, I have realized that there are NO movies that were produced in Hollywood for the silver screen that can truly satisfy that part of me. While I don't expect Hollywood to get it right in that manner, I do expect a decent movie since comic books is basically about fantasy. Of course there is more to comic culture than meets the eye but let's be real, super heroes and heroines duking it out in tights is fantasy. The only dope movie franchise that is based on comic books is the Dark Knight movies but that franchise deviates from almost all of the Batman story arcs and rewrites over the last six decades (I have yet to watch Kick A$$ so bear with me).

For some reason, Marvel Comics seems to come up short when it comes to their staple super heroes. Both the Spider Man and Fantastic Four movies lack so much in depth, continuity, and writing. The first two Blade installments were probably Marvel's best efforts (even Stan Lee admits in his autobiography that the Blade movies saved Marvel Comics from going belly up) However, the Iron Man franchise has impressed me. While I still find that Robert Downey is not convincing as Tony Stark, I can't front on his acting chops. When you need it, Downey does come through in a clinch.

What plagues the Marvel comic movies is that the writers seem to throw in several subplots and story arcs in each movie. In the X Men franchise this seems to really tear up the movie. It forces the writing to be fuddled and disrupts the continuity. The only exception is the Fantastic Four movies where the plot is kept simple yet somehow it just doesn't work. In Iron Man 2, there are several subplots (ie. S.H.I.E.L.D., Pepper Potts romance, War Machine/Dusty Rhodes, the Black Widow, the Avengers Initiative). Of course, the movie house is doing this to ramp up interest and buzz for the future movies based on Thor, Captain America, and finally the Avengers. It must be noted that for Iron Man, it seems like the writers are borrowing from several story arcs such as Orson Scott Card's rework of Tony Stark/Ironman, Mark Millar's the Ultimates, and the Tony Stark/S.H.I.E.L.D. pre Civil war story line. Although scary, Marvel pulls it off.

The best part about the movie is the team up between Iron Man and War Machine. I don't think the director Jon Favreau could have pulled it off with Terence Howard. I gripped my seat expecting Rhodes/War Machine to talk jive as he peeled off on the battle droids but he didn't. I was so happy. Don Cheadle came off as a respectable equal and not a side kick to Iron Man.
I also noted that Iron Man 2 does not relying heavily on CG as the original did. Most of the fight scenes are done in the evening so the audience does not get lost in high speed robotic antics.

One underlying theme I dug was the idea that one man can only have access to a powerful weapons system and how many people, organizations, and governments are trying to acquire access by any means necessary to that power weapons system. In the comic books as well as the first Iron Man movie, the writers deal with that idea of deterrence. I doubt that the writers were trying to pull a political angle when it comes to nuclear proliferation but it's important to ask who watches the watchers. Stark, an ego maniac as hard as they come, feels that he is stable enough and has the sound judgement to control this dangerous piece of technology. Most people agree with him until someone happens to invent the same platform. Now the genie is out of the bottle. While the similiarities between the Armor War (as it is dubbed in Marvel comics) and the arms race are there, Stark quite easily settles this dispute with the help of S.H.I.E.L.D. (a free comic of our choice to any reader who can tell me who starred as Nick Fury in Marvel's hapless attempt at making a S.H.I.E.L.D. movie -- the memories drive one to drink! Can I get a mindwipe PLEASE!).

My only gripe is that although Mark Millar rewrote Nick Fury to look like Samuel Jackson in the Ultimates (Millar also wrote Halle Berry into Marked) but Jackson just doesn't pull it off. I expected him to say "fothermucker" sometime in there. He didn't come off as by the book, super duper top secret Fury. He came off as a big guy with new toys. Sorry Jackson, you have to go back to the lab on this one. Maybe Millar is reaching when it comes to his fantasies?

Overall, the movie is one of the best and only second to the Dark Knight franchise. Marvel hits it out of the field with this one. It has lived up to the hype (geez, that was alot of hype). I enjoyed the quips made by Stark and Fury when it came to the other heroes who will be on the Avengers roster. I also dug how they played Stan Lee (Stark believes he is Larry King!). The scene with Stark at the Senate hearing is worth the price of admission (wait until you see who the Stark haters are). I must urge the reader to stay until after the credits. It's well worth the wait.

Wednesday, May 12, 2010

Deadpool Corps #1-2





Written by Victor Gischler
Penciled by Rob Liefeld
Inks by Adelso Corona
Review by sean IS…

Honestly, when I first saw the Deadpool Corp advertisements, I was kinda skeptical even though I am a fan of the solo book. It’s like I saw the concept as a gimmick of sorts. However, I took the gamble and my expectations were surpassed. Anyone who is familiar with Deadpool (exclude the Wolverine: Origins movie debacle) knows that he is a complex, insane, and highly efficient killer who has a penchant for untimely yet rib-hurting humor that surpasses Spiderman. Now take the character that you know, add a band of four alternate universe counterparts, and watch the sparks fly. Each Corps member shares the spotlight with the comedic banter, which is very prevalent within the pages.

Here’s the story run-down in DP’s words, “A giant cloud of mind-eating evil is wreaking havoc on the universe, so I’ve gathered a bunch of Deadpools from alternate realities to kick some cosmic a**.” So far the Corps, contrary to what would be expected, has avoided any major fisticuffs but has found hilariously creative ways to make their first “villain”, a cosmic being known as The Champion, look like an utter buffoon more that once. Did I expect more fighting? Yes. However, when I saw how the group averted physical combat, I was dying laughing. What makes it’s even funnier is the effective use of non-verbal communication drawn exquisitely by the great Rob Liefeld.

Two issues in, we see a motorcycle jacking, alien pick-up lines, cosmic hangovers, and jokes every second. At this pace, I expect the series to continuously appeal to Deadpool followers; however, I am not sure what other audiences will think about the overall quirkiness. If you are looking for an ultra-serious read…this series may not be for you. I do recommend that you give it a shot though.

Issue #1 includes a detailed guide on the background of each individual Deadpool, which is a great resource for any reader. Undoubtedly, many people will need an explanation for the “flying head Deadpool”. Yeah, dude is literally a zombie head with a propeller on it, haha. Check out Deadpool Corps soon and prepare for a laugh fest.

Peace.
S.

Wednesday, May 05, 2010

Daken Akihiro - Dark Wolverine #75-77




(okay, I take back what I said)

When I learned that Wolverine/Logan had a son named Daken, I was perplexed. Not to say that Logan can't get his swerve on. At the end of the day, he is human and has desires like the rest of us. To be honest, Logan is over 100 years old. So I am sure Daken Akihiro won't be the last offspring to pop up.

Like his father, Daken has a healing factor. It's a power that I am really kind of sick of. So there was one strike against Daken. It also made me wonder that if he had a healing factor like his father, then he isn't a mutant since there is no genetic variation. Take it step further with Daken's bone claws. I figured he was just another carbon copy (like Dead Pool -whom is really a mixture of Wolverine and Spiderman if you think about it). However, Daken also uses his pheromones to manipulate people's emotions.

Daken, unlike his father, uses deception to control people and pit them against each other. At times, Daken is willing to be defeated to achieve his aims. In the Dark Wolverine series, we see Daken manipulating the Fantastic Four against Norman Osborn and the Dark Avengers. This story sold me on Daken Akihiro.

I still have my issues with bone claws and the fact that he rocks a tattoo (how does a guy with healing factor keep a tattoo?). Like any comic book hero (with the exception of Dead Pool, Moon Knight, and 85% of the DC Universe) in the hands of a decent writer, some great stories can be produced.

Tuesday, April 27, 2010

Doomwar Part One




Written by Jonathan Maberry
Penciled by Scot Eaton
Inks by Andy Lanning & Robert Campanella
Review by Dan Tres OMi

When I first saw the promo for this limited series, I was hesitant to pick it up. Now I think Dr. Doom is one of the best villains out there. I dislike the Fantastic Four movie franchise and felt that Hollywood did a horrible rendition of Dr. Doom. Dr. Doom is vastly powerful and I find that most writers haven't explored Doom's personality or genius. Since Reginald Hudlin began writing and reworking Black Panther/T'Challa, he has introduced Dr. Doom as a rival. I really liked this. Two monarchs of two advanced nations squaring off on a grand chess board. Sometimes, T'Challa and Doom are allies and sometimes they aren't. Well, Doom has finally made his final move and has behind the dethroning of T'Challa and his sister Shurri. To top it off, Ororo, T'Challa's wife and X-Man has been captured by Doom's minions, the Desturi.

T'Challa and Shurri flee Wakanda leaving Ororo/Storm to fend for herself. With no allies and the entire world community believing allegations of human rights violations committed by T'Challa ans his family, the monarchs find refuge with the X-Men. Cyclops however, realizes that his hands are tied since Utopia Nation X is a new nation with few allies and very few nations that recognize it's sovereignty.

The story so far is wonderful. T'Challa knows that a full all out war will kill a great number of his people so he has to pay Doom's game for the time being. Meanwhile his sister, refuses to wear the kid gloves and wants to return Wakanda to it's rightful owners by any means necessary. The X Men are wary of T'Challa since he so readily abandoned his wife. It will be interesting to see who else who take sides and lend a hand.

This is a story I have been waiting and hoping on. I hope that we see the Wakandans take the war to Latveria since Doom rules that country like an Iron Fist. If not, it would be great to see another political realignment with several groups within the Marvel Universe.

Saturday, April 24, 2010

Siege: Captain America (one shot)



Written by Christos N. Gage
Pencils and Inks by Federico Dallocchio
Review by Dan Tres Omi

I thoroughly enjoy the Dark Reign crossovers. Having Norman Osborn in charge of the Avengers and H.A.M.M.E.R. (which is just Osborn's evil version of S.H.I.E.L.D.), allows several characters to take a back burner and 2nd and 3rd rate characters to really see the light. Not to mention the fact that several political factions such as Dr. Doom's Latveria, Namor's Atlantis, Wakanda and the Inhumans are realigning themselves with different groups never tried before.

The Siege story arc is really shaking things up. As usual, Marvel tries to really capitalize a story arc by not just doing crossovers but publishing one shots or mini series that coincide with the story such as the Secret Invasion Embedded. I decided to pick up Seige: Captain America since the actual Seige limited series is very good.

I should have left it on the shelf. I expected Captain America/Steve Rogers and Captain America/Winter Soldier to take on Venom (as depicted in the promo poster for the Siege crossovers). I thought that would have been a good battle. Of course, that didn't happen. Instead both Captain Americas end up fighting some 4th rate villain who isn't worth the pencils he is drawn with.

What saves this lackluster story is Federico Dallocchio's artwork. Dallocchio who has done loads of work at DC, brings a wonderful touch to Captain America. The artwork is great and really drips off the page. Other than that, one can afford to miss this issue.

Sunday, January 11, 2009

Clones and More Clones (again...)




While listening to the Voice of the Republic podcast, an old debate has returned. During Episode III, Emperor Palpatine calls on Order 66 and the clones murder every Jedi they can get their hands on with no qualms or regrets. We all assume that in the end, the clones were flesh droids. However shortly after, Lucas Arts releases “Dark Lord: The Rise of Darth Vader” in which a few clone commandos refuse to kill Jedi Master Roan Shryne. The question is whether Order 66 was a program implanted into the clones or not.

We assumed that it was a program that was conditioned and that the clone commandos in Luceno's post Episode III book were clones that somehow overcame their programming. Enter Karen Traviss' “Order 66,” and the debate is once again on. In “Order 66,” the clone commandos, Null Arcs, and the other clones that Kal Skirata picks up do not obey Order 66. Even Captain Maze hesitates to kill Jedi Master Arligan Zey and even offers to let him escape. We also learn that the clones were conditioned to memorize 150 contingency plans that included other orders such as arresting the entire Senate in case they decided to wrest power from the Supreme Chancellor. So it's a mix up, right?

In “Order 66,” we learn that Commander Cody thought the world of Obi Wan Kenobi. We see this affection in the Clone Wars new series on Cartoon Network and in the early part of Episode III. Ironically, the clones under Kal Skirata have no love for the Jedi. This seems to stem from Mandolorian culture. Yet they refuse to partake in the killing of the Jedi. Yet we realize that several clones dislike Kenobi and ridicule Commander Cody's affection for Kenobi. Yet in Episode III, Cody not only unflinchingly gives the order to kill Kenobi, he refers to Palpatine as “My Lord.”

We also realize in “Order 66,” that most clones had no love for Jedi. Here are some of the reasons discussed in Traviss' latest book:

a. No one has questioned how the Clone army came about. Some Jedi have asked and other Jedi have left the Jedi Order. Yet no one has specifically debated the Senate, Palpatine, or the Jedi Council on this.

b. In several books and even on the tv show, Clones have asked their Jedi caretakers what is going to happen to them after the war. I have yet to see a Jedi answer that question. Some Jedi have discussed this amongst themselves but nothing has come of it.

c.The Jedi Council hasn't said a peep about this.

d.Some Jedi, such as Quinlan Vos, have expressed their disdain for the clones. In “Order 66,” they even name names.

What do you think?

Tuesday, December 23, 2008

My take on the Latest News from the Avatar Movie



If you have been sleeping under a rock, you might have missed the fact that M. Night Shyamalan will be directing the live action movie adaptation of Nickelodeon's Avatar: the Last Air Bender. In the Omi household, we are avid watchers of the TV show. The final season really met our expectations. It was educational as well as action packed. Although the characters possessed European features, the characters were undoubtedly Asian and Inuit.

The blogosphere and on line forums lit up last week when news hit the scene that Shyamalan was going to get some white folks to play the main character. It would be too shameful to list the actors he suggested on using. Let's just say it seems as if Shyamalan is trying to cater to the Hannah Montana crowd (never would have thought that I would say Hannah Montana and sci fi in the same entry).

Of course, this bothers me completely. Folks will say, “there are bigger things to worry about like the economy.” I agree but this is ONE of the reasons why we are here. Let me 'splain something.

All sectors of this economy are doing bad. However, it didn't get bad overnight. Whether it was Wall Street, the American automotive industry, the real estate industry, or even Hollywood, a good part of the problem is the piss poor decisions and lack of vision on the part of the executives that run these sectors. Hollywood has done all kinds of things to sell tickets at the Box Office. One sure shot way of making big is to use the latest and most popular actors and actresses to be leads.

It is usually the only way that an unconventional script can be given the green light. When Ali was made, they used Will Smith who at the time was still working on his chops. The movie was wack on all counts, but it made the Box Office happy. Yet Hollywood has banked on some flops. Every now and then there is a fluke in the system and a movie like Fahrenheit 9/11 or Juno will come out and break all kinds of records. A franchise like the Batman Begins which has a cult following and then blossoms into a blockbuster like The Dark Knight comes through. So you have a quality film that sells a lot of tickets. Hollywood however cannot be counted on the next big thing or appreciate creativity. Movies like the ones mentioned above are a mathematical anomaly. Hollywood has always tried to do either of two things: spend huge loads of money to make money or try to make a hit by green lighting something new without really promoting it (gee, sounds like the American automotive industry and the record industry.. go figure!).

Many will say that when Hollywood attempts to deliver something new and creative to audiences, the people just don't come. In a way it makes sense. Most of us are short sighted. Most of us would rather see cars being blown up and all kinds of guns being used to blast people into oblivion than watch a movie that really questions the status quo (again, a few movies do stand out like “V for Vendetta” but again, that is a mathematical anomaly). Most of us won't pay a cent to see something of substance. It's kind of like the American auto industry. Sure we can place all the blame on the guys making the decisions but when someone called an SUV a gas guzzler or something that was bad for th environment, they were called unpatriotic. When one drove around, every other car was an SUV. Instead of purchasing a smaller, economical and more environment friendly car, people acted like sheep and tried to keep up with the Joneses knowing that it was not a sound decision.

Let's be real, something like the Avatar really can't sell to a huge audience. I enjoyed watching the TV show because of it's weaving of Eastern Philosophy to a modern day fairy tale. The characters were simple, everyday people who came across complex problems. My children got the entire thing and actually understood Aang's (the Avatar) dilemma. When faced with fighting the greatest enemy mankind ever encountered, Aang refused to go against his upbringing to take someone's life. Yet many felt that as the Avatar, he needed to be unselfish and commit murder.

In a sense, most teenagers have to make decisions like that. Of course, they may not be as dire as that faced by Aang but it sure did feel like that. Most people don't to watch a character with this kind of dilemma. They want the kung fu action and the special effects. That's a hard thing to convey in a two hour movie. I dig Shyamalan. I think he is ahead of his time. Sure he has made some bad career moves and I am sure he has found it difficult to make a movie as successful as his first one. I wouldn't call this decision a bad career move but a really dumb idea.

I would expect this from say, Steven Spielberg or any other white director or writer. I didn't expect to see that from Shyamalan. I have seen some argue that it is the message that matters not who is delivering the message. Yet as a watcher of the Avatar, I don't think you can convey that message that this series is trying to make by changing the face of the characters. The basic gist of the movie is that we are the sole controllers of our destiny. People and events may influence and challenge us but in the end, we choose our own destiny. We must embrace it or deny it. Many cultures tell this story in their own way. Yet the story of the Avatar, which is rooted in Buddhism and Inuit culture, can only be told by those people. Sure, a Brazilian cat directed it and an American wrote it but the choreography and the concept was based on Kung Fu, Buddhism, and Inuit culture and theology. They cannot be separated.

I understand that ultimately, the movie will be nothing like the cartoon series. How many movie adaptations follow the original formula? Many in Hollywood will say that using the actors slated to play the main characters will help make it a success and the message will get out there. That the only way something of quality such as the Avatar can only make it if it is packaged properly.

I have to ask, but packaged for whom? It's a message that is conveyed on THEIR terms. So are you saying that the Inuits or Buddhists have nothing to really say? That the message has to come from someone white? My children are not stupid. They know that the Avatar is a fairy tale but they know it is rooted in Asian and Inuit culture. They can tell by the characters and the settings. You can show them a photo of an Inuit hunter and quickly identify it. They can quickly point out if someone is practicing Wing Chun. They will undoubtedly notice something different in the way the movie is put on the silver screen.

What do you think?

Thursday, November 06, 2008

Gotta Love Youtube

Some treats



(I know most of the songs come from Indiana Jones and Encounters of the Third Kind)

How Star Wars EP IV should have ended:



Star Wars Jedi Church:



(not that funny, but i wanted three vids, bear with a brother)

Sunday, October 19, 2008

The Success of Jacen Solo: How does a Sith Lord do it again?



Every Star Wars EU fan knows who Jacen Solo is. The grandson of the Darth Vader who eventually becomes a sith lord and attempts to take over the galaxy. One would assume that thousands of years into the future, people wouldn't fall for a sith lord to be in charge again especially after Emperor Palpatine and Darth Vader ruled the galaxy for over 18 years. Yet it almost happened.

We must point out that art is a reflection of the culture from which it springs. No writer lives on a deserted island. No writer can escape what is going on. In an age where we claim to be the most sophisticated and most technologically advanced that ever walked the earth, there are still dictators. Yet why was Jacen Solo successful? Why wasn't it until after he reached the height of his power, did his followers being to question their complicity in his reign?

The best example I can give is that of Robert Mugabe of Zimbabwe. Of course, many of us are idiots when it comes to history. Not only are we ignorant to the history of our nation and others, we still assume that most people that made the news are new comers as if their success happened overnight. Mugabe was a political prisoner who did ten years for his work as an activist. Mugabe was known for taken a stance against tribalism by accepting Pan Africanism as his mantra. Back then, this was something very deadly for most Africans (see Kwame Nkrumah and Patrice Lumumba). Back in the 60s and 70s, Mugabe was admired for taking risks and committing himself fully to the revolution. When the British decided to give Zimbabwe their independence, leaders like Mugabe were hailed as heroes.

Ever since then leaders who survived the 60s and 70s were considered mentors for the upcoming generations. Individuals such as Thabo Mbeki, members of the ANC (African National Congress in South Africa), and other organizations throughout the region took notes directly from Mugabe. In a sense, Mugabe helped to launch the careers of other African leaders. When the United Nations asked African leaders to condemn Mugabe publicly many refused because of that. Many clinged to the hope that their mentor and friend would come to his senses and relinquish power.

Jacen Solo did the same thing. He went out in the front line with his troops. He put certain men and women in power. He even helped the powerful such as Admiral Nianthal. Yet when it was time to denounce him, many of his supporters could not. It makes sense. I recall reading how it was difficult for some people to help depose the Last Emperor of Ethiopia, Haile Selassie I. Selassie appointed people to so many posts that it was hard for anyone to give up any information on him. Those who overthrew his monarchy were young people who were not part of the upper classes.

I am sure that the writers of the Jacen Solo/Darth Caedus story arc may not have had the intention of teaching that particular lesson, but I am sure they were influenced by what they saw around them. Many will say, “well you are reading too deeply into the characters.” I have learned that when it comes to art, many things are deliberate (big up to Dr. bell hooks and Dr. Frances Cress Welsing).

Sunday, September 21, 2008

Star Wars: Clone Wars (novelization)



The Clone Wars, Vol. 1 (Star Wars)

by Karen Traviss

Book Review by Dan Tres Omi

Omi's Note: Again, I have yet to see the movie. I plan on watching it before the October 3rd release of the animated series on Cartoon Network. I do have a few points to discuss on this blog about the Clone Wars and GL's current maneuvers. I know I am so behind on what is going on. Please bear with me. Again, thanks for the support and the emails.

When it comes to the Clones of the Grand Army of the Republic (GAR) or the Mandalorians, Karen Traviss is the go to person. Her successful Clone Commando series is a testament to that. Not to mention her contribution to the Legacy of the Jedi Jacen Solo/Darth Caedus story arc. Unfortunately, Traviss gets caught up in the Star Wars franchise scramble for more money.

One would assume that George Lucas, or GL as we affectionately call him here, has made enough money to really sit back and let the SW canon evolve. Most of us, even non Star Wars fans, know that GL is loaded and there is no need for him to make bad decisions. Of course, many Expanded Universe (EU) fans wanted the Clone Wars plot to continue since the movies only cover a very small portion of the actual Clone Wars and the books only make reference to them. So it was natural that supply and demand would bring new stories out. Yet introducing new characters that have never been mentioned before causes more problems.

Of course, Traviss is not to blame in any of this. I find that when it comes to the Clones, Traviss brings even much more of a perspective from a cloned human. Although much of it deals with their do or die dedication to the Republic and the Jedi Order. Yet through Captain Rex, his non commissioned officers (NCOs), and Commander Cody (who plays a prominent role in Ep III), we see a more personal interaction between the clones. Unfortunately, the story takes away too much from the clones. The idea of the Jedi helping Jabba the Hutt is far fetched but when the story continues, it makes sense.

Remember, these stories are supposed to get into how Anakin continues to slide deeper and deeper into the dark side. So helping a Hutt who at one time owned him and his mother helped to bring out some deep seated anger. Helping Jabba also made Anakin asks more questions about the Jedi's role in the galaxy. Why aren't the Jedi helping the regular citizen of the Republic instead of some questionable characters such as Jabba the Hutt? Why didn't the Jedi free all of the slaves that Anakin knew growing up on Tattoine? Traviss does a good job of exploring that.

Making Anakin a Jedi Knight keeps Obi Wan Kenobi out of the picture. This allows Anakin an opportunity to really explore his feelings about the Force, the Jedi, and his relationships with Padme Amidala. Although I have issues with Ahsoka, Anakin's padawan, I can see why she was introduced into the story. Having an apprentice keeps Anakin in check. However, there could have been other ways to do that.

Traviss does a great job but unfortunately, she will catch all the flak from the EU fans due to the input of GL and Dave Filoni. . The book is a quick read since it covers two short battles. Members of the 501st will also enjoy this book since it adds two more battles under the 501st flag.

Tuesday, August 26, 2008

Invincible (Star Wars: Legacy of the Force, Book 9)




Invincible (Star Wars: Legacy of the Force, Book 9)

By Troy Denning
Book Review by Dan Tres Omi

When George Lucas allowed several authors to pen the numerous books for the Yuuzhan Vong war (the New Jedi Order – NJO), there were so many problems. While there was a strict adherence to continuity, the flow would sometimes stifle or pick up depending on who was writing. Sometimes it worked and sometimes it didn't. With so many books, several plots and subplots were neatly finished. One would have never expected Jacen Solo to turn out the way he did. If anything, readers were left either hating or somewhat tolerating Jacen Solo. What made the NJO series special was that it allowed the reader to really explore the nuances of the Force.

In the Legacy of the Force (LOTF) series, there were only nine books with three authors. Like the NJO, the LOTF would ebb and flow. Some books were right on while others were just plain bad. Troy Denning had his work cut out for him. I expected the book to be as big as “The Unifying Force” by James Luceno. Yet it was only a scant 299 pages and the book moves very quickly.

I was glad that Denning places the reader in the Mandalorian defense of the Verpine mining asteroid of Nickel One in the Roche system. The Verpine and the Mandalorians have a treaty that began in the early part of the LOTF series. Boba Fett wanted to honor it even if it meant fighting against the Imperial Remnant. Fett was definitely out of his league and expected a massacre. It is good to see Fett in a situation that calls upon all of his resources. The Mandalorians get their beskar'gam handed back to them. I assumed that Denning would have left them out since that is Karen Traviss' realm.

Jaina Solo is in the front with Fett and his granddaughter Mirta Gev. She splits with the Mandalorians and meets up with the Jedi Council who agree that someone should be sent to kill Jacen Solo/Darth Caedus. Everyone agrees that Jaina should be the one to do it. It takes two tries but Jaina is finally successful. Both battles are worth the price of admission. Darth Caedus uses all of his Force ability and even pulls out the Shatterpoint technique last used by Master Mace Windu. The reader will also see the Moffs in action once again.

The drawback that takes so much away from the book is the ending. The galaxy is pretty much in shambles. The Bothans have sided with the Corellians. Admiral Niathal, who defected with bits of the Fourth Fleet, joins up with the Jedi, the Wookies, and the Hapes Consortium. The Mandalorians are for themselves and the Verpine. The Imperial Remnant is maintaining an unsteady alliance with Darth Caedus. Politically there is no one shot solution that would keep everyone happy. While killing Darth Caedus is a good idea, what to do afterward is never considered. Denning tries in the last twenty pages. To be honest, this would have been done more thoroughly in a separate series. Unfortunately, the Sith that the late Alema Rar found are not even mentioned.

We do see how the galaxy is set up to be the way it is in Cade Skywalker's time. There is a new found hostility towards the Jedi since many people are beginning to place blame on the Jedi Order. The galaxy is still in an uneasy alliance. I think that every reader knew that Darth Caedus was going to be killed. It's the way of the Sith. No matter how powerful a Sith Lord becomes, someone comes along and takes them out. One would think that the Sith would figure that out by now and try something entirely new.

Sunday, August 24, 2008

Been a Long Time...




If you haven't heard, the Omi's purchased their first home so we have been busy moving in and working on projects. I am behind on so much. There is so much to discuss. Before we get into the Clone Wars movie, we have so much ground to cover.

As usual we are behind anyway, right folks?

If you know how the Brother Omi rolls, you know that we try to avoid what everyone else is talking about. So I want to give everyone a chance to get out there and check out the movie first and then head back here. I have yet to watch it. So you must give me a chance...

I do have to big up an event that's coming up.

"BLACK AGE XI"

Program and scheule of events.
The opening reception for this group show which is entitled,

"The Blacker the Hero"
will be on Oct. 10th 2008,
5:00pm to 8:00pm, free admission at the
African American Cultural Center of the University of Illinois at Chicago.
830 South Halsted Street
Chicago IL 60607
312-996-9540

The exhibition will feature selected images, posters, and illustrations
from a variety of Black Age or indie characters created by a
variety of artists. The lecture-discussion will feature a moderator, an agenda,
with invited professional Black Age/indie publishers.

OCTOBER 11th 2008

We will be vending books at the
South Side YMCA
at 6330 South Stony Island in the Alcove area
10am until 4pm. Free Admission.
Press Conference and panel TBA

OCTOBER 12th 2008
Ari-Ware Store .
Time: 2pm until 5pm
266 Lake Street in Oak Park IL 708-524-8398,
will host Turtel Onli , "The Father of The Black Age"
Theme: The history and value of the Black Age of Comics. Plus additional guests. Signings, vendings, panel, & learning opportunities.

AZIZI Bookstore
at 134 Lincoln Mall Matteson Il
708-283-9850 Time and creators TBA

Interested fans and participants should contact Onli Studios at onli@sbcglobal.net .
Participants will be taken on a first come first served basis. We have limited places to complete.

"BLACK AGE XI" is part of Chicago Artists Month, the thirteenth annual celebration of Chicago’s vibrant visual art community organized by the Chicago Department of Cultural Affairs and is made possible through the Presenting Sponsorship of 3Arts and the Lead Sponsorship of the Sara Lee Foundation. For more information, call 312/744-6630 or visit http://www.chicagoartistsmonth.org/ .


See you then?

Friday, June 27, 2008

A Butlerian future?




Two days ago on June 25th, was the born day for George Orwell, the author of the classics Animal Farm and 1984. It's unfortunate that this was glossed over in the mainstream media even though HR 6034 FISA Amendment Act of 2008 was just passed last Friday. I remember way back in 1983, when the mainstream media made a big hoopla about the book “1984.” Most people balked at the idea of an Orwellian society. Many assumed that Orwell was discussing a future where Stalin like dictators ruled the world. Contrary to popular belief in 2008, there are Stalin like dictators who run several countries (Zimbabwe, North Korea, etc.).

In the United States, things are much different. Yet lately, our economy has hit a low. Food and gas prices have skyrocketed to prices that have not been seen in decades. The 1973 oil crisis was not as bad. Next winter, people will see gas bills for heating their homes to double. Economists claim that there will be another 1.5 million foreclosures in the next 18 months. Some are afraid that more and more companies will continue to lay off their employees as more of them move overseas or try to cover the rising prices of food. Gun violence is beginning to have another upsurge. Gangs continue to plague communities throughout the nation.

All of these things seem to place us teetering at the edge. It reminds me of Octavia Butler's “Parable of the Talents.” It is set in the year 2025 and things are much worse than we have it now. However, it all sprung from the situation we see ourselves in now. The suffering economy, loss of jobs, lawlessness, the widening gap between the rich and the poor, etc. It's scary to think of it that way. I don't mean to scare folks just wanted to point that out.

Maybe Butler was warning us. She also saw the potential in humanity to uplift itself. Of course like the characters in the story, we have to find the solutions within ourselves. We can expect some wanna be deity save us from all this. Like Butler's story, there is hope but we have to work at it. That's the part I took away from her stories.

If anything, I encourage my readers to check out her stuff. You won't be disappointed.

Tuesday, June 10, 2008

A few more fan films

because I love you.

SW fans never cease to amaze me. Every day or so, I might run into a fan film. I have not provided you readers with treats, I apologize for that. Here are a few:



The lighting could be better, but the concept is pretty funny. They mix SW lore with American Chopper. Sort of a little red necky (is that a work) but i think it works.

A fav of mine is really a documentary (gotta love those docs). It's pretty good and the producer of the film has done several interviews. All pretty good.



and a little short for all of you ewok and gospel music fans,



Enjoy

Thursday, May 29, 2008

The Ultimates



Why I dig the Ultimates...(Avengers, that is)

As many of you may know, I am very, very afraid of movie adaptation of comic books. Some of you may also know that coming up as a youngblood, I was a huge Marvel head. I just couldn't get with DC comics (That was until Dwayne McDuffie came alone... he pretty much singlehandedly returned me back to the world of comic book-dom). If you were to read my other blog, you would learn that I am a huge fan of Captain America. Yes, my Pan Africanist tail loves me some Captain America.

The huge bumrush of the Mutant-palooza made me stop reading titles such as the Avengers and Captain America since the better writers were used for the mutant based comic books (Again, I have to thank folks like Joe Quesada for taking Marvel into the direction the New Avengers have been going as well as the Civil War series – big up to Billie Wheelz for that). When Marvel did the Ultimates universe, I was not really impressed. I did however, dig the Ultimate Avengers which was written by Mark Millar and illustrated by Bryan Hitch. I enjoyed how they redid Captain America, the Pyms, Thor, Hulk, Betsy Ross, S.H.I.E.L.D. (yes they got rid of those tight suits), Hawkeye, the Black Widow, and yes Nick Fury.

They made Nick Fury a black man! Now, don't get me wrong I dug the original Nick Fury despite the tight outfits. I really just can't take a super secret government agency trying to arrest cats while wearing tight suits.

Marvel took it a bit further and did two made for DVD release movies, Ultimate Avengers I and II. The second DVD focused on the Black Panther and the African country of Wakanda. It can't get any better than that. Love it, man.

Had to get that off my chest.

Sunday, May 25, 2008

Keeping Up With The Jones

Omi's Note: Tony Muhammed, an educator and Dj from Florida had some pretty interesting things to say about the Indiana JOnes promo on BET's 106 and park. To be honest, I have only seen one episode of that teeny bopper show in my entire life (what ever happened to Teen summit?). But check it out. the link is below. Let me know what you think. (big up to Davey D for this).

Keeping Up With the Joneses: BET and the Subliminal Culture of White Supremacy

By Bro.
Tony Muhammad
Hiphopeducator19@gmail.com
www. myspace.com/tonymuhammad

Since Viacom bought out Black Entertainment Television (BET) my attention towards the cable channel's programming has diminished to a crawl. I noticed several years ago how as soon as the take over was complete the changes became obvious.
Conscientious talk show host Tavis Smiley was immediately fired from BET Tonight and replaced by the non-threatening Ed Gordon, ultimately doing away with the late night news segment altogether. At the same time, Rap City seemed to have all of a sudden lost its edge on bridging the gaps between the old, new and true schools in Hip Hop.
The predominant images in Hip Hop, especially on the famed 106 and Park became increasingly trendy; which actually meant more sexist, savagely stereotypical and violently vulgar. Alienated, I like many other conscientious loyal viewers made the decision to tune out. With the exception of special eye catching programs such as the Hip Hop Verses America panel series that aired last year, the only updates I would receive about what was shown on BET came through my students.


Flash forward to May 20th, 2008. It was late afternoon. A very close friend of mine who happens to be a pioneer in the music industry was visiting from out of town. He was flipping through channels on my living room television set and just so happened to land on BET. He quickly called me over to pay special attention to what was taking place on the screen. The first obvious thing I noticed was that this was a special 106 and Park show, promoting the release of the movie Indiana Jones and the Kingdom of the Crystal Skull. The first thought that came to my mind was that this was rather unusual, considering that all of the main characters in the film are white.
This is Black Entertainment Television after all right??? Not only this but the main character himself, Indiana Jones played by Harrison Ford, is supposed to be a famous anthropologist who is on a life-long journey to explore non-Western lands for precious treasures, which in his mind should be placed on display in Western (European) museums.

Co-host Terrence J was wearing an Indiana Jones get up on the show; brown leather jacket, brimmed hat and all. The show was airing live from the Magic Johnson movie theatre in what was once known as the Mecca of Black intellectualism and culture; Harlem, New York. Today, Harlem's population has been "whitewashed" as a result of rabid gentrification efforts. I automatically started making these connections in my mind and became concerned yet interested to see more.
I then noticed two pillars, one on either side of the set, reminiscent of ancient Egypt (Kemit), which according to the Honorable Elijah Muhammad was one of the last greatest Black civilizations on Earth. It quickly dawned on me that the first Indiana Jones movie, Raiders of the Lost Ark, took place in Egypt (Kemit) and how many of its glorious ancient artifacts are today found in many Western museums and how European (white) scholars have historically discredited Black people from developing such a civilization; giving more credit to what has been termed as "North African Caucasoids" (if there ever was such a thing) or simply put, "tanned" white people. Knowing all of this is important in order to understand what was to come.


Ashanti was the first artist to perform between the two pillars. On one level she appeared culturally enriched, with makeup around her eyes symbolic of the great pharaohs of ancient Egypt (Kemit). Artistically however, it was obvious that she is being molded according to corporate-music industry research standards - trying to mold her to sound more like what's presently "hot" (Keyshia Cole) rather than her own natural soft sensual musical self. After Ashanti's performance Shia LaBeouf, who plays Indiana Jones' sidekick Mutt Williams, was brought up on stage. He was asked to kick a freestyle, but refused.Instead, he did the "Crip Walk. " The audience cheered.


read more here...

Sunday, May 18, 2008

Star Wars Legacy of the Force: Revelation




Revelation (Star Wars: Legacy of the Force, Book 8)

by Karen Traviss

Book Review by Dan Tres OMi

Omi's Note: I did read this book several weeks ago but held out on the review until the latest installment was out and gave everyone a week or two to catch it. This way, I wouldn't spoil anything for anyone.

With Karen Traviss at the helm of this book, the readers are returned to the Mandolarian culture. This time, Jaina decides it is up to her to defeat her brother. She was advised to seek training from someone that Jacen/Darth Caedus would never expect: Boba Fett. The story moves along at a quickening pace as Jacen/Darth Caedus finds a new apprentice.

The Mandolarians begin to secure more weapons contracts as they start to design fighter craft that are superior to anything used by the Galactic Alliance (GA). Some old characters from Traviss' Clone Commando series also make appearances. The reader also learns more about Fett's past. I only found these parts to be the plus ones. Everything else could have been done in a comic book.

Again, I must reiterate this particular theme: Fett is too old to be out there fighting. Yes, he has been cured (escaping death yet again) but his aging wasn't reversed. I expected there to be more deaths at the hands of Jacen/Darth Caedus. I expected to see more major characters meet their end. Yet none of it happened.

Personally, I don't think Jaina has what it takes to take on Jacen. When it comes to the Force, Jacen is just too formidable unless the authors from the Dark Nest Trilogy have been pulling our legs. Although I enjoy Traviss' work, I feel that this book and the last one were not enough to wrap up the later part of the series. The first few books did well to set up the plot yet now it seems as if Jacen/Darth Caedus despite all of his power can't seem to hold anything together.

There are so many characters that I feel should be focused on such as Kyp Durron, Seba Sebantyne, and others. Yet we get the same old guys, Luke (who should have been killed instead of Mara Jade), Han, and Leia. Although I dig the Mandolarians and their culture, I didn't really want to see a wedding.

Sunday, May 04, 2008

Kwisatz Haderach: Sandwords Part II – The Breakdown





Another mythological concept brought into sci fi by the brilliant Frank Herbert was that of the Kwisatz Haderach or “the shortening of the way” in Herbert's Dune trilogy. In the Dune universe, this messiah like being would be able to connect the bridge between time and space. The Kwisatz Haderach would be everyone at once and be able to tell the future through prescience. In the original books, the Kwisatz Haderach was manifested in Paul Mu'adib who later refused this role, and then his son Leto II who became the God Emperor and ruled the universe for 2500 years.

While reading Ben Bova's Saturn, I noticed that many of his heroes were people of color. It is authors like Bova who remind me that in the future, it will be people from other countries outside of the United States who will most likely map out the stars. Bova does not mean people of Canada or Europe. If anything, there have been several articles that discuss how countries such as China, India, and even Nigeria have robust space programs.

In Sandwords of Dune, the concept of the Kwisatz Haderach returns. This time (this is a spoiler, folks) that person is manifested in Duncan Idaho. Idaho was a close bodyguard to the Atriedes family where the original Kwisatz Haderach came from. I must point out that Sandwords of Dune was written by Brian Herbert and Kevin Anderson using notes left by the late Frank Herbert. Yet here we are, maybe 25,000 years into the future and a white cat named Duncan Idaho is the savior of the universe. Go figure. Why did his name have to be Duncan Idaho? Why can't it be Chen or Ramirez or Taiwo? Let's take it further, why couldn't it have been Sheila Idaho or Janet Idaho? I will say that the Dune series has a great number of female heroes. Yet what about the Kwisatz Haderach?

It's this type of sci fi naivete that bugs me out. As stated before, many will say that these gentlemen write from their perspective. When it comes to sci fi, I have to disagree. There have been many ideas and technological advances made because of the things discussed in sci fi. Even an element on the periodic table is named after Krypton. To think that white men will continue to run things even in science fiction is borderline idiocy and wishful thinking. There I said it.

Monday, April 07, 2008

Sandwords of Dune Book Review




Sandworms of Dune
Brian Herbert and Kevin J Anderson

Book Review by Dan Tres Omi

Omi's Note: I know this is a blog about Star Wars. Just bear with me. There will be an addendum to this post.

Many consider this to be the final installment in the Frank Herbert's Dune universe. Fortunately for Dune fans (depending on who you talk to), there will be other books written centered in the Dune universe. Brian Herbert, the son of the late author, and Kevin J. Anderson decided to conclude the Dune story after finding several pages of handwritten notes by the elder Herbert which detailed the conclusion of the House Atreides, the planet Arrakis, and the conflict between humanity and the thinking machines.

This author has read all of Frank Herbert's books and jumped at the chance of reading the prequels written by his son and Anderson. However, Brian Herbert and Anderson have yet to match Frank Herbert's brilliant writing and masterful vision. Yet this author does to expect anyone else to. Anderson has written several Star Wars novels and penned his own books that encompasses an entire universe with it's own history in the Saga of the Seven Suns series. Again, this author must admit that reading the prequels and the books after Chapterhouse was not as easy as reading Frank Herbert's original books. The writing quality is just not up to par. Yet reading all of those books helps to explain the history of the Dune universe.

For one to fully understand why the humans during Paul Mu'adib's time and that of his son Leto II did not use thinking machines, one must read the “Butlerian Jihad” and “The Machine Crusade.” To get a full grasp of why the Bene Gesserit Sisterhood operate in the manner in which they do, the prequels have to be read. Many a Dune fan has expressed their regret for picking up a few of these books. Yet learning about Frank Herbert's world through the notes interpreted through the younger Herbert and Anderson is worth it all in my opinion.

Sandwords of Dune takes place after Hunters of Dune which takes place immediately after the events of Frank Herbert's final chapter in the Dune universe before his unexpected demise. In Hunters of Dune, we follow the ghola Duncan Idaho who pilots the no ship Ithaca and his crew of refugees who escaped the genocide of the Honored Matres from Chapterhouse, the homeworld of the Bene Gesserit. Sheanna, a Bene Gesserit has decided to grow gholas of famous figures in histoy such as Paul Atreides, Chani his concubine, Dr. Yueh Wellington, Lady Jessica, Thufir Hawat, Leto II, Liet Kynes, and Stilgar. In Hunters... Matre Supreme Commander Murbella finally unites the Honored Matres and the Bene Genesserits to form the New Sisterhood to mobilize humanity against a centuries old enemy. We also learn that the thinking machines have returned to confront humanity in one final battle and have been scheming for centuries on their revenge under the watchful eye of Omnius and Erasmus.

In Sandworms, the Ithaca is still being pursued by Omnius and Erasmus. At the same time, Omnius has grown his own gholas of Paul Atreides and the Baron Vladimir Harkonnen. Murbella finally has mustered every available warship and soldier the universe has to prepare against the final battle with the thinking machines. Omnius has calculated that the key to fully defeating the humans is to control both Kiswatz Haderachs. Omnius sends a plague to destroy Chapterhouse since he understands that it is the New Sisterhood is humanity's only hope. Each action leads the major players closer and closer to the final confrontation which is full of surprises.

Of all of the prequels written by Brian Herbert and Anderson, I have to admit that Hunters... and Sandworms... are the best ones. Both writers build enough tension through Sandworms and throw in quite a few surprises. In the prequels concerning the Butlerian Jihad and the main houses of humanity, the story lines were tremendously predictable and several characters were ones the reader ended up not caring for. With the post Frank Herbert books, some new characters are really fleshed out.

Both authors pose more questions than answers. This adds to the mystery of the Dune series. There were so many plots within plots and this reminded me of Frank Herbert. Despite the destruction of Arrakis in Chapterhouse Dune, spice remained the ingredient that put everything together. Several groups, even the thinking machines, fought over this commodity. Personally, I found it to be a satisfying conclusion to the story. Not only did the two authors tie everything up from Frank Herbert's original novels but they also tied things up from the prequels as well. Many of the prequel characters make an appearance.
Much of what Frank Herbert used in his original books were also explained.

As stated before, there are several fans who are disappointed in the work Brian Herbert and Anderson have done. Yet this book is worth reading since everything is tied up properly. Plus it is always good to know what happens in the end.