Some of the Best of 2010

Yes, I am late with this. My apologies. I got a little bit carried away with the festivities of last week of December. I will admit that 2010 was a great year for comics. There has been so much great writing for the major publishers as well as the independent ones. The competition is fierce as writers start to go the indie route. Also even the movie houses are getting in the game. Movie adaptations of comic books are getting better. It was quite a few tough picks out there. I normally stay away from the major comic companies for these but this year, Marvel hit it out the park. Yet here it is, enjoy:





Best Comic Book mini series – “Thanos Imperative” - Dan Abbet and Andy Lanning did a great job breathing life into many 70's Marvel Characters. The Guardians of the Galaxy is a good example of that. It is a group made up of many characters that were made in the 70s. Here is a good example of great writing. Abbet and Lanning did a great job bringing these characters back to the fold. While Thanos is a great villains, few writers do him justice. The artwork by Miguel Sepulveda is also great. I love the fact that Marvel chose not to make this a huge crossover event. The reader did not have to go back to the lab and read back issues of those 70's issues. The storyline included the story of Captain Mar'Vell. It was stellar with huge spaceship battles and super hero beatdowns. I am so glad that the story of the players will continue.




Best Story Arc – Image Comic's Invincible: The Viltrumite War – I always loved Robert Kirkman's and Cory Walker's Invincible. Its a great spin on the Superman/Spiderman archetype. There is even a great father/son plot line with Invincible and his father Omni Man. Invincible does remind me of the early Spiderman stories where Peter Parker consistently doubted himself at every turn and fought to keep his life in order. Invincible is in the same situation but he has powers that rival Superman. Unfortunately, his father hails from a race of beings who intend on conquering the universe. Finally, we find Invincible, Omni Man, and several allies gearing up to take the fight to the Viltrumites, the race of beings Invincible is a descendant of. Even in the face of battle, Invincible questions his role as a superhero and his relationship with his father. The space battles are great and the artwork renders an epic assault throughout the universe but the writing really keeps me captivated. It is truly one of the best comic books out now.

Best Issue: Unlike the previous categories, this one was easy. Nemesis issue #1 is awesome and was probably the best issue of 2010. Mark Millar does it again. He also teams with Steve McNivens. Previously, they did Old Man Logan for Marvel which in my opinion was the best story arc of 2009. If you have been reading this blog for the past year, you know how I felt about it. There are rumors that it will be another movie adaptation. Let's see what happens. Millar will finish the series however, so stay tuned for that.


Best Movie Adaptation of Comic book: “Kick Ass” Although Hollywood screwed up Millar's “Wanted” in so many ways, they really knocked it out of the ball park with “Kick Ass.” I know folks who don't even read comics pick up the book after watching the movie. There were many comic book adaptations on the silver screen, but “Kick Ass” set the standard. The writers for the next Dark Knight installment have their work cut out for themselves.

You know 2011 is going to be all the way live. You can count us to be there. We will have many more comic books of color on the independent tip reviewed here. Stay tuned.

Happy New Year!

Nemesis Issue 3

Written by Mark Millar
Art by Steve McNiven

Review by Dan Tres OMi

I almost gave up on this series until a certain talkative comic book retailer at a local comic convention explained that this issue was dropping in a matter of days. When I arrived at my local comic book store (big up Fearless Readers!), I was able to grab the last issue on the stand. After reading it from cover to cover three times in a row (something I rarely do), I can understand why.

Millar continues to shock and awe. In Issue #2, Nemesis is captured by Blake Morrow, DC's super cop. While everyone is happy that Nemesis is captured after killing thousands of people in Washington, DC, no one knows where the president is. Unbeknownst to Morrow, being captured is part of the plan.

Nemesis does a daring prison escape. He even provides super fast armored cars for every prisoner he sets free. The chase is on. There are even more twists and turns as the story flows. Millar does it once again. What Nemesis does to Morrow is unprecedented. Watch how he turns the table on Morrow and gets him with a double whammy.

Again, McNiven's artwork really sets the tone. The splash pages and wide panels tell so much without any words. McNiven's DC is both hip and gritty. I enjoy the fact that most of Nemesis' moves are done in the daytime. It demonstrates the power that Nemesis wields. I can't wait until the next issue. Maybe there we will find out what happened to the president.

Iron Man 2

Review by Dan Tres OMi

As a true comic book head, I have realized that there are NO movies that were produced in Hollywood for the silver screen that can truly satisfy that part of me. While I don't expect Hollywood to get it right in that manner, I do expect a decent movie since comic books is basically about fantasy. Of course there is more to comic culture than meets the eye but let's be real, super heroes and heroines duking it out in tights is fantasy. The only dope movie franchise that is based on comic books is the Dark Knight movies but that franchise deviates from almost all of the Batman story arcs and rewrites over the last six decades (I have yet to watch Kick A$$ so bear with me).

For some reason, Marvel Comics seems to come up short when it comes to their staple super heroes. Both the Spider Man and Fantastic Four movies lack so much in depth, continuity, and writing. The first two Blade installments were probably Marvel's best efforts (even Stan Lee admits in his autobiography that the Blade movies saved Marvel Comics from going belly up) However, the Iron Man franchise has impressed me. While I still find that Robert Downey is not convincing as Tony Stark, I can't front on his acting chops. When you need it, Downey does come through in a clinch.

What plagues the Marvel comic movies is that the writers seem to throw in several subplots and story arcs in each movie. In the X Men franchise this seems to really tear up the movie. It forces the writing to be fuddled and disrupts the continuity. The only exception is the Fantastic Four movies where the plot is kept simple yet somehow it just doesn't work. In Iron Man 2, there are several subplots (ie. S.H.I.E.L.D., Pepper Potts romance, War Machine/Dusty Rhodes, the Black Widow, the Avengers Initiative). Of course, the movie house is doing this to ramp up interest and buzz for the future movies based on Thor, Captain America, and finally the Avengers. It must be noted that for Iron Man, it seems like the writers are borrowing from several story arcs such as Orson Scott Card's rework of Tony Stark/Ironman, Mark Millar's the Ultimates, and the Tony Stark/S.H.I.E.L.D. pre Civil war story line. Although scary, Marvel pulls it off.

The best part about the movie is the team up between Iron Man and War Machine. I don't think the director Jon Favreau could have pulled it off with Terence Howard. I gripped my seat expecting Rhodes/War Machine to talk jive as he peeled off on the battle droids but he didn't. I was so happy. Don Cheadle came off as a respectable equal and not a side kick to Iron Man.
I also noted that Iron Man 2 does not relying heavily on CG as the original did. Most of the fight scenes are done in the evening so the audience does not get lost in high speed robotic antics.

One underlying theme I dug was the idea that one man can only have access to a powerful weapons system and how many people, organizations, and governments are trying to acquire access by any means necessary to that power weapons system. In the comic books as well as the first Iron Man movie, the writers deal with that idea of deterrence. I doubt that the writers were trying to pull a political angle when it comes to nuclear proliferation but it's important to ask who watches the watchers. Stark, an ego maniac as hard as they come, feels that he is stable enough and has the sound judgement to control this dangerous piece of technology. Most people agree with him until someone happens to invent the same platform. Now the genie is out of the bottle. While the similiarities between the Armor War (as it is dubbed in Marvel comics) and the arms race are there, Stark quite easily settles this dispute with the help of S.H.I.E.L.D. (a free comic of our choice to any reader who can tell me who starred as Nick Fury in Marvel's hapless attempt at making a S.H.I.E.L.D. movie -- the memories drive one to drink! Can I get a mindwipe PLEASE!).

My only gripe is that although Mark Millar rewrote Nick Fury to look like Samuel Jackson in the Ultimates (Millar also wrote Halle Berry into Marked) but Jackson just doesn't pull it off. I expected him to say "fothermucker" sometime in there. He didn't come off as by the book, super duper top secret Fury. He came off as a big guy with new toys. Sorry Jackson, you have to go back to the lab on this one. Maybe Millar is reaching when it comes to his fantasies?

Overall, the movie is one of the best and only second to the Dark Knight franchise. Marvel hits it out of the field with this one. It has lived up to the hype (geez, that was alot of hype). I enjoyed the quips made by Stark and Fury when it came to the other heroes who will be on the Avengers roster. I also dug how they played Stan Lee (Stark believes he is Larry King!). The scene with Stark at the Senate hearing is worth the price of admission (wait until you see who the Stark haters are). I must urge the reader to stay until after the credits. It's well worth the wait.

The Ultimates

Why I dig the Ultimates...(Avengers, that is)

As many of you may know, I am very, very afraid of movie adaptation of comic books. Some of you may also know that coming up as a youngblood, I was a huge Marvel head. I just couldn't get with DC comics (That was until Dwayne McDuffie came alone... he pretty much singlehandedly returned me back to the world of comic book-dom). If you were to read my other blog, you would learn that I am a huge fan of Captain America. Yes, my Pan Africanist tail loves me some Captain America.

The huge bumrush of the Mutant-palooza made me stop reading titles such as the Avengers and Captain America since the better writers were used for the mutant based comic books (Again, I have to thank folks like Joe Quesada for taking Marvel into the direction the New Avengers have been going as well as the Civil War series – big up to Billie Wheelz for that). When Marvel did the Ultimates universe, I was not really impressed. I did however, dig the Ultimate Avengers which was written by Mark Millar and illustrated by Bryan Hitch. I enjoyed how they redid Captain America, the Pyms, Thor, Hulk, Betsy Ross, S.H.I.E.L.D. (yes they got rid of those tight suits), Hawkeye, the Black Widow, and yes Nick Fury.

They made Nick Fury a black man! Now, don't get me wrong I dug the original Nick Fury despite the tight outfits. I really just can't take a super secret government agency trying to arrest cats while wearing tight suits.

Marvel took it a bit further and did two made for DVD release movies, Ultimate Avengers I and II. The second DVD focused on the Black Panther and the African country of Wakanda. It can't get any better than that. Love it, man.

Had to get that off my chest.